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Painting --- Yourcenar, Marguerite --- Flanders --- Art and literature --- Women authors, French --- Painting, Flemish --- Art et littérature --- Ecrivaines françaises --- Peinture flamande --- Exhibitions --- Expositions --- 20e siècle --- literatuur --- schilderkunst --- 15de eeuw --- 16de eeuw --- Vlaanderen --- Luik --- Art et littérature --- Ecrivaines françaises --- 20e siècle --- Yourcenar, Marguerite. --- literatuur. --- schilderkunst. --- 15de eeuw. --- 16de eeuw. --- Vlaanderen. --- Luik. --- Vlaamse school

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The beeldenstorm, or the Iconoclastic Fury, that raged throughout the Low Countries in 1566 is a key concept in Netherlandish history. This popular uprising, which was partially grafted on Protestant ideas, has traditionally and unquestioningly been considered a turning point in the history of the Low Countries. It is all the more striking, therefore, that this occurrence has received scant attention in art history and that there has been little interest in the development of painting just after the beeldenstorm and before the advent of the great Baroque masters.Featuring previously unpublished materials, "Antwerp Art after Iconoclasm" investigates how the esteemed painters of the period - including Adriaen Thomasz Key, Maarten de Vos, Frans Pourbus the Elder, and Michiel Coxcie - sought a new visual idiom. This study explains why this period of Netherlandish history should be considered an important turning point in the broader context of art history. It demonstrates that the era's paintings represent a subtle but nonetheless important reinterpretation of the traditional, religious iconography and style, which served as the starting point of Netherlandish Baroque style.

History of Antwerp --- Art --- anno 1500-1599 --- History of civilization --- Painting, Flemish --- Counter-Reformation in art. --- Peinture flamande --- Contre-Réforme dans l'art --- Peinture --- Iconoclasme --- Contre-Réforme dans l'art --- Counter-Reformation in art --- Painting, Netherlandish --- Netherlandish painting --- Flemish painting --- beeldenstorm --- geschiedenis --- cultuurgeschiedenis --- religieuze geschiedenis --- christelijke iconografie --- 1566 - 1585 --- 16de eeuw --- Antwerpen --- Zuidelijke Nederlanden --- Painting, Netherlandish. --- Contre-Réforme dans l'art. --- Painting, Flemish. --- 1500-1599. --- Belgium

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Hommage de Catheline Périer-D'Ieteren

landschapsschilderkunst --- fantastic art --- Mannerist [Renaissance-Baroque style] --- fantastische kunst --- maniërisme --- Painting --- anno 1500-1599 --- Flanders --- Painting, Flemish --- Peinture flamande --- Exhibitions. --- Expositions --- Bosch, Hieronymus, --- Bles, Henri, --- Bruegel, Jan, --- Bril, Paul, --- landschappen --- fabels --- literatuur --- mythologie --- Bosch, Jheronimus --- Herri met de Bles --- Brueghel, Pieter (de Oude) --- Bril, Paul --- Flaubert, Gustave --- Erasmus, Desiderius --- 16de eeuw --- Vlaanderen --- Zuidelijke Nederlanden --- 839.3-34 --- 75.046 --- Landschapsschilderkunst ; 16de en 17de eeuw --- Vlaamse schilderkunst ; landschappen ; 16de eeuw ; 17de eeuw --- Tentoonstellingscatalogi ; Rijsel ; Palais des Beaux-Arts --- 839.3-34 Nederlandse literatuur: sprookje; legende; mythe --- Nederlandse literatuur: sprookje; legende; mythe --- Schilderkunst ; epische, mythologische, religieuze voorstellingen --- Exhibitions --- Peinture de paysages de la Renaissance -- Flandre --- Paysage --- landschappen. --- fabels. --- literatuur. --- fantastische kunst. --- mythologie. --- Bosch, Jheronimus. --- Herri met de Bles. --- Bruegel, Pieter I. --- Bril, Paul. --- Flaubert, Gustave. --- Erasmus, Desiderius. --- 16de eeuw. --- Vlaanderen. --- Zuidelijke Nederlanden. --- Vlaamse school --- landschap, Nederlanden --- Bruegel, Pieter I